Included in this handbook are the only surviving works on the constellation myths that have come down to us from antiquity: an epitome of The Constellations of Eratosthenes -- never before translated into English -- and The Poetic Astronomy of Hyginus. Also provided are accurate and detailed commentaries on each constellation myth, and complete references for those who wish to dig deeper. This book is a comprehensive sourcework for anyone interested in astronomy or mythology -- and an ideal resource for the occasional stargazer.
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If you're looking for entertaining and engaging writing, look elsewhere. Written in the Stars will lead you through the heavens above as you discover the scientific facts, legends, and myths that surround the 88 constellations of the Northern and Southern hemispheres. Uncover the patterns in the stars through the richly illustrated pages of this charming book as each entry brings each constellation to life in the magical artwork of this book.
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Beautifully packaged, stars are included throughout along with key information of where to spot each constellation in the night sky to help you to identify the celestial bodies above us. Visually stunning, Written in the Stars captures the beauty of the stars and is the perfect gift for novice stargazers and armchair astronomers alike. Star maps depict the constellations with outline figures. Written for the non-specialist and widely respected by professional planetarians, this book provides a substantive review of the familiar star lore of classical Southwest Asian and Mediterranean civilizations as well as that of ancient China, South Asia, and traditional societies of northern Eurasia, North and South America, the Pacific Islands, and Australasia.
This is one of the must-have books that should be in the library of every enthusiast of mankind's enchantment with the night sky. This book is a little different: the late Julius D. Staal offers the stories behind the stars, an approach that addresses the cultural, rather than the scientific, aspect of constellations. That decision left out lesser known ones whose history is nevertheless interesting, but at last author John Barentine is giving them their due.
This book is a companion to "The Lost Constellations", highlighting the more obscure configurations. All of them reveal something unique about the development of humanity's map of the sky. The history of the human identification of constellations among the stars is explored through the stories of some influential celestial cartographers whose works determined whether new inventions survived.
The history of how the modern set of 88 constellations was defined by the professional astronomy community is recounted, explaining how the constellations described in the book became permanently "extinct. Barentine addresses why some figures were tried and discarded, and also directs observers to how those figures can still be picked out on a clear night if one knows where to look.
These lost constellations are described in great detail using historical references, enabling observers to rediscover them on their own surveys of the sky. Treatment of the obsolete constellations as extant features of the night sky adds a new dimension to stargazing that merges history with the accessibility and immediacy of the night sky.
For thousands of years people have looked up to the night sky and told stories about the stars. These epic tales tell of vengeful gods and goddesses, of monsters and heroes. Others try to make sense of the natural world, or unravel the mysterious forces of the universe. Written by award-winning author Anita Ganeri and with beautifully detailed artwork by illustrator Andy Wilx, this is a magical book to be treasured for generations to come. Reviewer's Comment: This beautiful book brings together legends from around the world that relate to constellations.
Each is just a few pages long but had enough information to be interesting to both adults and children. The illustrations are striking, in predominantly gold and warm colours, some of them covering whole pages, and some dotted around the text, so there is plenty to catch the eye.
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Combining art, mythology, and science, What We See in the Stars gives readers a tour of the night sky through more than magical pieces of original art, all accompanied by text that weaves related legends and lore with scientific facts. This beautifully packaged book covers the night sky's most brilliant features -- such as the constellations, the moon, the bright stars, and the visible planets -- as well as less familiar celestial phenomena like the outer planets, nebulae, and deep space.
Adults seeking to recapture the magic of youthful stargazing, younger readers interested in learning about natural history and outer space, and those who appreciate beautiful, hand-painted art will all delight in this charming book. It's a real joy to read and we can't wait to give copies as gifts to our friends. Get the hard copy! This well-researched, thoughtful collection brings together star myths from such Native American tribes as the Navajo, Pawnee, Shasta and Micmac.
Coyote is a bungler who causes trouble on every front: in one story he peeks into a jar and scatters the stars and then is sent to wander, unwanted, across the earth ; in another, he shoots arrows into the sky, which he and five Wolf Brothers ascend but he descends alone. One of the stories about Pleiades tells of six wives who eat wild onions but are scorned by their husbands for the smell of their breath.
Also included are a good many relevant works of modern scholarship on Ps-Eratosthenes and Hyginus, but there are, however, some glaring omissions--e. Furthermore, the bibliography is not consistent in the way it lists reprints of older works, sometimes giving only the date of reissue e. Robert's Eratosthenes Catast.
It is, however, the translation itself and the commentary that are the most flawed, and this is a great pity because apart from the Latin translation of Ps-Eratosthenes in Schaubach's ed. For instance, on p. More serious still, C. Robert so as to bring it in line with what he regarded as the Urtext of Eratosthenes e. These passages contain supplements, ellipses, and significant emendations for which there is no manuscript authority.
By adopting Robert's text, as opposed to following the manuscript tradition for the text of Hyginus, C. This misleading feature of the translation spoils the usefulness of C. The failure to adhere to guidelines that are set out in the Introduction may also be observed in C. Things" , or brackets mistakenly set off text that is D rather than R e.
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Asclepius" and "The constellation. On occasion, this confusion over which text is being followed leads to a less satisfactory translation: e. In translating the two texts, C. Still, it is surprising that C.
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This lack of self-correction suggests that C. A few examples will suffice to illustrate the relatively venial and not so venial errors in the translation of Ps-Eratosthenes: On p. Lastly, on p. Though this last error is admittedly a monumental schnitzer, it is fortunately atypical of C.
By contrast, serious problems present themselves in the translation of Hyginus, which may be illustrated by these few select examples. Lapses such as these are, unfortunately, no less frequent in the commentary.
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For instance, twice p. Elsewhere, it is highly misleading to write p. By contrast, in n. To take one final example, the literary tradition identifying the constellation Hippos with a winged horse did not begin with Ptolemy in the mid-second century AD so C. Typos are relatively infrequent e. On two further occasions pp. To conclude, what the author has set out to accomplish is admirable in its conception. Students and scholars of astronomy and Greek mythology will obviously welcome C.
The trouble is, in its present form Star Myths cannot be relied upon to convey accurately the content of the original texts, and the commentary is littered with misinformation.