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The last scene of the movie is but another example of how brilliantly Kubrick used classical music to capture interior emotions, for if you know the plot of Barry Lyndon, and understand what is happening in the very last scene, its bleakness is made even more devastating by the heroic restraint of the characters and the inconsolable inevitability of the soundtrack.
We know that Schubert composed his last and only two piano trios in the last half year of his life, along with the three piano sonatas, his cello quintet, his Schwanengesang Swan Song song cycle, as well as other smaller works.
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Much can be said retroactively about how the suffering Schubert went through in his last weeks informed his late compositions, for these compositions are complex and profound, and can be read to be either defiance or acceptance of death. It was in the late summer of , 3 months before his end on November 19, , that the doctors told him that he was beyond cure.
It is hard to pinpoint the dates he began and completed the E-flat trio, because he often worked on simultaneous projects. His use of repeated notes are dirge-like, and after a stormy outburst of struggling against his fate, the lament returns with a marching descent, drawing one down deep into the ground. For example, his unrelenting use of repeated note motives throughout the last movement providing hours of frustration to the hapless musicians attempting to get through the piece could represent his insistent denial of his fate, all futile by the exhausted end.
But the life circumstances behind the two compositions could not be more different, and their monumental arcs span very different worlds of emotion. To me, the Schubert is much darker, full of intensity and drama, with moments of inconsolable melancholy.
On Schubert’s Piano Trio in E-flat, D929
Because Schubert was a generation younger than Beethoven, we often forget that they were virtually artistic contemporaries, composing and publishing at the same and dying within a year of each other. C'est le plus triste jour de tous ; c'est aujourd'hui. Tel est le sujet d'une composition impressionnante. Montandon , Anthropos, Garde nationale, ou les Lovelace de comptoir. Piqueurs et musiciens sont en harmonie.
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Ballszenen in franzosischen. Romanen des Le bal du point de vue narratif est aussi un heu de rencontre ; il donne au hasard ses chances de rencontres et d'intrigues.