If you do have a real complaint, contact Griefcom. If the case is a legitimate one for Griefcom and if it looks like anything can be done about it, the Chairman of Griefcom will then assign the case to one of the Griefcom staffers. Those cases appearing to require an unusually high degree of tact and diplomatic skills are assigned to the Griefcom Mediation specialist. Those cases appearing to require a very large hammer are handled by the Chair.
Grievances are handled by the Griefer in charge contacting both the author and whomever the author has filed their grievance on and making attempts to obtain a just resolution. This resolution can take many forms: cash payments, reversion of rights, recognition of copyright, withdrawal of items from sale, or even simply a fresh start between author and publisher.
Occasionally this will involve a formal or an informal confidentiality agreement. From until late last year, I served as a member of the Grievance Committee.
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The publishing industry has changed a lot since I joined SFWA, and I have been pleased to see the organization adapting to those changes. On the whole, I have been pleased with the direction SFWA has been headed under the current Board and its predecessors, and I thank them for their service. I fully support the recent changes in membership criteria to allow self-published authors and game writers to join. I also think the re-incorporation in California as a c 3 non-profit that can accept tax-deductible contributions was a necessary modernization of the organization.
I believe that SFWA should be an inclusive organization, and that members should feel welcome regardless of race, nationality, ethnicity, citizenship, immigration status, primary language, religion, sex, gender identity, sexual orientation, disability, physical appearance, political ideology, or pretty much any other personal attribute. However, I also believe SFWA, as a private organization, is not required to tolerate members who are deliberately disruptive or who harass other members. If elected, I will do my best to work with the other members of the Board to represent the interests of SFWA members, expand the membership, and improve the state of the speculative fiction community.
I read — OK, listened to — 45 books in , so a little less than one a week. I started the first one in and finished the last one in I have also omitted unpublished books I read in critique group. The list is chronological, not ranked. I promised to give away copies of the books I read in I gave away copies of the first 20 on the list, but after the baby was born in late June, I just got so busy that the Amazon Giveaways fell by the wayside.
I will do giveaways for the rest of the books on this list which is one of the reasons I wanted to make this list. Short fiction and novels that are published as part of a contest, including publication in print or digital anthologies and magazines or online publication on a web site, can be used as qualifying sales under Rule III of the SFWA bylaws, provided they meet all requirements.
The qualifying sales are subject to the same restrictions as sales to any other market such as: no entry or submissions fee, no warnings by Writer Beware, no advisory by SFWA, appropriate minimum payment per word. The contract must show that the author is receiving payment for publication rights separately from any monetary contest prize that may also be received. Basically, Rule III was a way to allow self-published authors to qualify by proving their earnings, since the publishing world has changed dramatically due to ebooks.
The rule also allows proof of earnings from small presses and non-qualified markets. Since Writers of the Future pays 6 cents per word for publication, in addition to the prize money, that means publication in the Writers of the Future anthology could be used as a Rule III sale to qualify for SFWA, even though Writers of the Future is no longer listed as a qualifying market. But with regard to other contests, such as the New Visions Award , this clarification certainly puts writers in a better position than it appeared initially.
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I want to shift gears a little now. The following is a partial list of reforms I think the contest should make, most of which come from concerns publicly expressed by past winners. As far as I can tell, this means Writers of the Future Contest winners can still use publication in the contest anthology to qualify for SFWA; they just need to jump through a few more hoops to do so. I still have some concerns, but this seems like a good step. As a result, SFWA has formally contacted the WotF administrators, in hopes of launching a private dialogue between our organizations, and ensuring that these concerns are meaningfully addressed.
Item 3 under Paid Sales used to read :. Contest prize money does not count toward determining the payment rate unless publication rights are required to receive the prize. That is, only payments tied to publication are considered. Current members in good standing who qualified via contest publications are unaffected by this change. I would hate to see the market disqualified on the basis of its association with the Church of Scientology. I would hope that any such investigation would allow the contest to respond to the allegations.
Last week, after the Board published the statement and updated the rules to eliminate contest publications, I sent the following email:. What is the critical difference that makes an anthology that pays pro rates and has an open call for submissions a valid qualifier, and a contest with an open call for submissions that pays pro rates and publishes an anthology of the winners an invalid qualifier?
All else being equal between two venues, why should one of them being a contest be disqualifying? That outcome is ridiculous on its face. The sham nature of this explanation becomes quite clear when one realizes the exact same justification could be applied just as easily to de-list all magazines as qualifying markets:. You should be ashamed of yourselves for trying to pass off this rule change as merely a way to lessen the burden on the Membership Committee. Note: I agree with allowing self-publishing and game credits to qualify. I plan to publish this letter on my blog later this week.
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If any members of the board would care to defend the integrity of the decisions and statements made in this matter, I am willing to publish their defenses along with my letter. As of now, three members of the board have responded to my email. I did see public complaints, as well as private ones shared on different private forums.
Now I really wish I had, but I thought the Board would be wise enough to handle things quietly until the issues were resolved, reserving public criticism of the contest and the possibility of de-listing from the Qualified Markets List as leverage to get the administrators to address the issues. And during those months of discussion at the board level, with feedback from many participants, and multiple data points, did any member of the board ever suggest that it might be a good idea to privately contact the administrators of the contest to get their feedback and point of view before taking any public action?
If so, why did the board decide against it? Instead, it looks like the Board voted in August to de-list WOTF by de-listing all contests without even having tried to resolve any issues, and then after several more months of silence issued a public statement critical of the contest right at the beginning of supposedly trying to open a dialog with the contest administrators. Meanwhile, I have acted in good faith all along. You said you hoped I would reconsider my resignation from Griefcom. I guess it boils down to whether the Board now realizes they could have handled the situation better, and is willing to take action on that basis.
Some steps I would suggest to show good faith:. A reconsideration of the rule against contests as qualifying markets. The goal of reducing the burden on the Membership Committee could be met by changing the rules to not count contest prize money at all. Contest anthologies could be qualified markets if they pay pro rates for publication, without counting prize money. The number of contests meeting that threshold would be very small. This would mean the reinstatement of WOTF as a qualifying market for now.
Of course, if the attempts to resolve issues with the contest administrators fail to produce a satisfactory outcome, WOTF could be de-listed for that reason at that time. Alternatively, the Board could privately commit to revising the rule in order to reinstate WOTF if the issues are resolved in a satisfactory manner, allowing reinstatement to be used as an incentive. These are not demands on my part; they are simply my suggestions as to what the Board could do if they are interested in working in good faith to try to resolve the concerns about the contest.
Maybe you can think of alternative steps that would demonstrate that same level of good faith. Despite my doubts about the good faith of the actions taken by the Board, I really hoped that maybe, having been called out on it, they might be willing to move forward in good faith. Be the first to ask a question about The Grievance Committee. Lists with This Book. This book is not yet featured on Listopia.
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Community Reviews. Showing Rating details. More filters. Sort order. Oct 18, Joan rated it really liked it. Southers, the author of this novel, is a Texas Lawyer and served the Texas Grievance Committee for ten years, and for anyone interested in some of the shannigans of lawyers and judges, this is a story that will entertain you. Quiroz for a response and then a hearing set for September before a panel to see if he had violated the Rules.
At the hearing where she felt so frightened that she could scarcely appear, Mr. Quiroz appeared with an attorney to represent him. Catherine Collins, an attorney, was head of this particular Grievance panel in San Antonio, there being three panels.
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On such panels there were three non-attorneys and three attorneys. Texas was one of the few states that had no law against having consensual sexual relations between a client and the attorney. The weakness of her complaint was that Jose had obtained excellent results for her. And admittedly she was satisfied with the sex until she found out that he was fooling her when he said he loved her, implied he would marry her and then suddenly dropped her. Three days later after this discovery, she filed her complaint.
That she thought she had a big catch in him and was bringing the complaint vindictively. The panel found him innocent and would bring no action. The rest of the story encompasses Alexandra not giving up, but upon learning of two other women whom Jose had represented as an attorney, and upon visiting with them, she found that one of them he represented in a divorce matter.
He had determined and convinced her that she lost her husband because she was sexually frigid and inadequate. Since he was a councilor-at-law, he could council her in how to perform oral sex, said he loved her and she was satisfied until suddenly he dropped her when found a more beautiful woman. This woman, a recent widow, he represented in probating her estate. She also indulged in sex to pay the difference.
Instigated by Alexandra, the women got together and joined in the same complaint against Jose, which eventually ended up in Superior Court before a Judge. The story provides the thoughts, actions and fears of the various actors in this fiasco and ended with a startling twist. It also threw in some Catholic practices and coercion for good measure.
At times the story lost momentum by perhaps too much explanation of locations, backgrounds of some of the individuals that does not further the story, but on the whole I enjoyed it, especially since I have some background with lawyers. I recommend it to all readers who enjoy this type of literature. Oct 11, Silver Screen Videos rated it liked it.